Goldberg Variations as NaNoWriMo

I am now trying to identify elements of fiction that equate to harmonic progression as well as possibly key and form (matching the series of canons). Number of bars is likely not a big concern as it comes out of the repeated harmonic progression, meaning, retaining the chord progression requires the number and sequence of bars because you cannot extend or shorten one or more chords without destroying the balance […]

Goldberg Variations

Long ago I wrote a paper for a music grad class comparing the two Glenn Gould recordings of the Goldberg Variations, written by J. S Bach. Nowadays I listen to the 1981 release once in a while through a sleep app on my phone. But it wasn’t until last night that I noticed the similarities between the Variations and my fiction writing exercise where I wrote the same scene with the same characters, the […]

Antihero: The Ambiguous Protagonist?

I’ve long been confused by the definition of “antihero”. My daughter uses the term to describe characters in movies but I’m never quite sure what she means. Wikipedia says: An antihero, or antiheroine, is a protagonist in a story who lacks conventional heroic qualities and attributes such as idealism, courage, and morality. Although antiheroes may sometimes do the right thing, it is not always for the right reasons, often acting […]

Writing Review: The Host, by Stephenie Meyer, and thoughts on dialog and action tags

I’ve only read a few chapters into The Host by Stephenie Meyer but I think I’m done. The opening chapters of SF can be a challenge because the reader needs to be acclimated to the world, but an operating room with excited students that seem irrelevant to the rest of the story isn’t the best choice. Following that with a memory from the host whose past the narrator is experiencing […]

Writing Review: You

I haven’t done a review for some time, but I haven’t been sparked to do so until now. You, by Caroline Kepnes has left me wondering. *Spoiler alert: many plot topics covered below.* I think I found the title via a list of novels that have surprise endings. I say “I think” because I’m not sure, and there is no surprise at the end. “You” is a narrative in second person […]

Exercises in Style

I started an exercise similar to Raymond Queneau’s “Exercises de Style” but much simpler, taken from John Gardner’s “The Art of Fiction: Notes on Craft for Young Writers“. “Take a simple event: A man gets off a bus, trips, looks around in embarrassment, and sees a woman smiling. (Compare Raymond Queneau, Exercises de Style.) Describe the event, using the same characters and elements of setting, in five completely different ways (changes […]